Accidents of Influence: Writing As a Woman and a Jew in by Norma Rosen

By Norma Rosen

For Norma Rosen, the Holocaust is the principal occasion of the 20th century. during this publication, she examines the connection of post-Holocaust writers to their paintings when it comes to topic, language, imagery, and dealing with as much as the duty of writing in a post-Holocaust period. She considers the paintings of such significant impacts on our time as T. S. Eliot, Simone Weil, Anne Frank, E. L. Doctorow, Norman Mailer, Eugenio Montale, Philip Roth, and Saul Bellow. injuries of effect combines severe research with own reaction and autobiographical moments. It comprises quotidian encounters in friendship, intercourse, society, paintings, politics, reaction to violence, and spiritual observance, which fight for ethical flooring during this post-Holocaust period.

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Extra info for Accidents of Influence: Writing As a Woman and a Jew in America

Sample text

But it seems to me that many Jewish fiction writers—even if they don't know it, and never heard of him—are paying homage in their writerly hearts to Akiva.  Or their disgust with members of the Jewish middle class who abandon Jewish idealism for materialism, or for self­serving, self­protective Jewish clannishness?

Having fled with her parents to America to escape the oncoming Nazis, she contrived to get back to England where she wrote and planned with her friends for the resistance of the Free French Forces, contracted tuberculosis and died of starvation caused by her efforts to limit her nourishment to something less than what a French worker would eat during the German occupation. " Indeed, the fleshing out of the life, though done with continued reverence by the biographer, gives us deeply disturbing vignettes—so many that only a few can be referred to here.

So again, within the ghastly numbing horror of this not­yet­ Page 32 forty­year­old story of how six million Jews came to be killed, there leaps up the complicated and infinitely moving tragedy of one—and of one by one.  But as far as I can judge, the mind and heart are revealed intact. " Since this conjecture reflects something of my own experience, the reader is free to regard it as intrusively subjective or happily intuitive.  Although I later learned that Malamud resisted the label ''Jewish writer," The Assistant, along with the stories in The Magic Barrel, showed what miracles could be wrought in prose with Jewish material.

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