By Sarah Thornton
This compelling narrative is going backstage with the world’s most vital residing artists to humanize and demystify modern art.
The best-selling writer of Seven Days within the paintings World now tells the tale of the artists themselves―how they go through the area, command credibility, and create iconic works.
33 Artists in three Acts bargains unheard of entry to a stunning diversity of artists, from overseas superstars to unheralded artwork lecturers. Sarah Thornton's superbly paced, fly-on-the-wall narratives comprise visits with Ai Weiwei earlier than and after his imprisonment and Jeff Koons as he woos new consumers in London, Frankfurt, and Abu Dhabi. Thornton meets Yayoi Kusama in her studio round the nook from the Tokyo asylum that she calls domestic. She snoops in Cindy Sherman’s closet, hears approximately Andrea Fraser’s psychotherapist, and spends caliber time with Laurie Simmons, Carroll Dunham, and their daughters Lena and Grace.
Through those intimate scenes, 33 Artists in three Acts explores what it capability to be a true artist within the actual global. Divided into 3 cinematic "acts"―politics, kinship, and craft―it investigates artists' psyches, personas, politics, and social networks. Witnessing their crises and triumphs, Thornton turns a wry, analytical eye on their diverse solutions to the query "What is an artist?"
33 Artists in 3 Acts unearths the conduct and attributes of winning artists, supplying perception into the way in which those pushed and creative humans play their online game. In a time while progressively more artists oversee the construction in their paintings, instead of make it themselves, Thornton indicates how an artist’s radical imaginative and prescient and private self assurance can create audiences for his or her paintings, and examines the increased position that artists occupy as crucial figures in our culture.
forty four illustrations, three maps
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Extra resources for 33 Artists in 3 Acts
Ai is sitting on an elevated platform behind a desk. A pink T-shirt covers his substantial paunch, while a loose-fitting black jacket and blue cotton trousers frame it. His shaggy graying beard gives him the air of a wise man. Beards are not common in China, where they tend to be associated with either Confucius or Fidel Castro. ” The audience is about half Chinese. It includes quite a few European academics and a contingent of American graduate students. “Weiwei was a consultant on the Bird’s Nest stadium for the Beijing Olympics and has built an artistic compound in Caochangdi, an area near Beijing where he welcomes his friends and sometimes the police,” he adds by way of introduction.
I want the reader to be the judge. After reading this book in manuscript form, Gabriel Orozco, the only artist who appears in two separate acts, said, “We are all portrayed in our underwear. ” The artists in this book hail from fourteen countries on five continents. Most were born in the 1950s and 1960s. In the interest of exploring some of the variation within the expanding field, I consider artists who position themselves at diverse points along the following spectrums: entertainer versus academic, materialist versus idealist, narcissist versus altruist, loner versus collaborator.
Koons’s discourse is so pat that you feel you are in the presence of an actor playing the role of the artist. The artist’s lack of spontaneity comes across as synthetic and earnest rather than natural and honest. Andy Warhol was famed for his artifice. He cultivated a vacuous public image, talked in cool sound bites and liked to give the impression that there was no “real” Andy. “I’m sure I’m going to look in the mirror and see nothing,” he wrote in The Philosophy of Andy Warhol. ” Few artists have mastered the Warholian paradox of persona as convincingly as Koons.